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Review

"One of the most profound and illuminating studies of this century to have been published in recent decades. . . . A fascinating interpretation of the growth of the modern state. . . . Scott presents a formidable argument against using the power of the state in an attempt to reshape the whole of society."—John Gray, New York Times Book Review"Illuminating and beautifully written, this book calls into sharp relief the nature of the world we now inhabit."—New Yorker"James C. Scott has written a powerful, and in many insightful, explanation as to why grandiose programs of social reform, not to mention revolution, so often end in tragedy—the Soviet disaster being the textbook case. . . . He has produced an important critique of visionary state planning."—Robert Heilbroner, Lingua Franca"[An] important book. . . . The author's choice of cases is fascinating and goes well beyond the familiar ones like Soviet collectivization."―Francis Fukuyama, Foreign Affairs"In a treatment that can only be termed brilliant, [Scott] has produced a major contribution to developmental literature. . . . This is a book of seminal importance for comparative politics and, indeed, for the social sciences. Highly recommended."—Choice"Mr. Scott tells the story in witty, sparkling prose of these (Lenin, Mao, Pol Pot, among others) relentless social engineers and how they tried to impose for all eternity a perfect social order or an urban blueprint, regardless of human cost and unremitting human refractoriness."―Washington Times"An important and powerful work that deserves to be read by anyone interested in large-scale public planning. . . . Among the book's virtues are its lucid style, deep learning, and wide range of fascinating cases."―Gideon Rose, Washington Monthly"Where Seeing Like a State is original, and often startling so, is in its meticulous accumulation of empirical evidence that describes the failure of grandiose state projects to improve the human condition."—Brian C. Anderson, Public Interest"Seeing Like a State is a worldly, academic synthesis of the destructive hubris of large-scale rational planning. . . . What Scott does that is brilliant is talk about how states and large institutions acquire the knowledge that they ultimately use to govern."—Michael Schrage, Across the Board"Its global focus, its attention to issues of environment and economic development too often ignored by non profits scholars, and its impressive grasp of how organizations work, recommend it to anyone seriously interested in the future of public life."—Peter Dobkin Hall, ARNOVA News"Scott’s book is a paean to human liberty, a very complicated paean. . . . This book [owes] much of its value to the details of the particular case studies, and to Scott’s enthusiasm and ingenuity in seeing links among apparently different human projects. He has written a remarkably interesting book on social engineering."—Cass R. Sunstein, New Republic"In Seeing Like a State James Scott has given us powerful new paradigms of state action and popular resistance. His work is sure to inspire new thinking and research in history and social sciences."—Fred Murphy, Reader’s Catalog"Brilliant . . . [Scott] has produced a major contribution to developmental literature . . . this is a book of seminal importance for comparative politics and indeed, for the social sciences."—Choice"Scott’s book . . . is an important and powerful work that deserves to be read by anyone interested in large-scale public planning. . . . Among the book’s virtues are its lucid style, deep learning, and wide range of fascinating cases."—Gideon Rose, Washington Monthly"Seeing Like a State is a worldly, academic synthesis of the destructive hubris of large-scale rational planning. . . . Scott . . . takes a few powerful but basic themes and builds a persuasive case against what he calls 'High Modernism.' High Modernism, in essence, is the ideology of grand rational planners whose initiatives are based on the perfectibility of man. What Scott does that is brilliant is talk about how states and large institutions acquire the knowledge that they ultimately use to govern."—Michael Schrage, Across the BoardWinner of the 2000 Mattei Dogan Award 2015 Wildavsky Award for Enduring Contribution to Policy Studies, from the Public Policy Section of the American Political Science Association"James Scott is one of the most original and interesting social scientists whom I know. So it is no surprise that Seeing Like a State is a broad ranging, theoretically important, and empirically grounded treatment of the modern state. For anyone interested in learning about this fundamental tension of modernity and about the destruction wrought in the twentieth century as a consequence of the dominant development ideology of the simplifying state, high modernism, Seeing Like a State is a must read."—Daniel Jonah Goldhagen, Professor of Government and Social Studies at Harvard University and author of Hitler's Willing Executioners "A broad-ranging, theoretically important, and empirically grounded treatment of the modern state and its propensity to simplify and make legible a society which by nature is complex and opaque. For anyone interested in learning about this fundamental tension of modernity and about the destruction wrought in the twentieth century as a consequence of the dominant development ideology of the simplifying state, this is a must-read."—Daniel Jonah Goldhagen, author of Hitler’s Willing Executioners"The 'perfection' Scott so rightly and with such tremendous skill and erudition debunks in his book he himself has nearly reached, as far as positing and presenting the problem is concerned. The case of what the order-crazy mind is capable of doing and why we need to stop it from doing it has been established 'beyond any reasonable doubt' and with a force that cannot be strengthened."—Zygmunt Bauman, emeritus professor, University of Leeds"A tour de force. . . . Reading the book delighted and inspired me. It's not the first time Jim Scott has had that effect."—Charles Tilly, Columbia University"Stunning insights, an original position, and a conceptual approach of global application. Scott's book will at once take its place among the decade's truly seminal contributions to comparative politics."—M. Crawford Young, University of Wisconsin, Madison

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About the Author

James C. Scott is the Eugene Meyer Professor of Political Science and Anthropology at Yale University and current president of the Association of Asian Studies. He is the author of Weapons of the Weak: Everyday Forms of Peasant Resistance, Domination and the Arts of Resistance: Hidden Transcripts, and The Moral Economy of the Peasant: Rebellion and Subsistence in Southeast Asia, all published by Yale University Press.

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Product details

Paperback: 464 pages

Publisher: Yale University Press (February 8, 1999)

Language: English

ISBN-10: 0300078153

ISBN-13: 978-0300078152

Product Dimensions:

6.2 x 1 x 9.8 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

71 customer reviews

Amazon Best Sellers Rank:

#31,605 in Books (See Top 100 in Books)

Scott begins with a history of the tension between the desire for legibility versus the desire for local control. E.g. central governments wanted to know how much they could tax peasants without causing famine or revolt. Yet even in the optimistic case where they got an honest tax collector to report how many bushels of grain John produced, they had problems due to John's village having an idiosyncratic meaning of "bushel" that the tax collector couldn't easily translate to something the central government knew. And it was hard to keep track of whether John had paid the tax, since the central government didn't understand how the villagers distinguished that John from the John who lived a mile away.So governments that wanted to grow imposed lots of standards on people. That sometimes helped peasants by making their taxes fairer and more predictable, but often trampled over local arrangements that had worked well (especially complex land use agreements).I found that part of the book to be a fairly nice explanation of why an important set of conflicts was nearly inevitable. Scott gives a relatively balanced view of how increased legibility had both good and bad effects (more efficient taxation, diseases tracked better, Nazis found more Jews, etc.).Then Scott becomes more repetitive and one-sided when describing high modernism, which carried the desire for legibility to a revolutionary, authoritarian extreme (especially between 1920 and 1960). I didn't want 250 pages of evidence that Soviet style central planning was often destructive. Maybe that conclusion wasn't obvious to enough people when Scott started writing the book, but it was painfully obvious by the time the book was published.Scott's complaints resemble the Hayekian side of the socialist calculation debate, except that Scott frames in terms that minimize associations with socialism and capitalism. E.g. he manages to include Taylorist factory management in his cluster of bad ideas.It's interesting to compare Fukuyama's description of Tanzania (in Political Order and Political Decay) with Scott's description. They both agree that villagization (Scott's focus) was a disaster. Scott leaves readers with the impression that villagization was the most important policy, whereas Fukuyama only devotes one paragraph to it, and gives the impression that the overall effects of Tanzania's legibility-increasing moves were beneficial (mainly via a common language causing more cooperation). Neither author provides a balanced view (but then they were both drawing attention to neglected aspects of history, not trying to provide a complete picture).My advice: read the SlateStarCodex book review, don't read the whole book.

Insightful, though it's not for everybody. An extended discussion about how government agencies shape the world to accomplish their ends, Very much about the law of unintended consequences. I am no scholar, so I cannot debate his thesis , but I find this book has changed the way way I look at the world, and particularly, the character of government.

To my mind, the central argument of this book is critical to understanding numerous aspects of how the world we live in today came into being, and why it functions the way that it does. I cannot overstate how impressed I was by Scott's ideas, arguments, and evidence. Scott focuses in this book on how these ideas relate to governments and policy, with a focus on agriculture, but are also worth considering for their impact in smaller arenas, such as business, trade, and even family relations.With that said, it is very scholarly in tone. It is not particularly accessible, and fairly hard work to read. I would also argue that the second half of the book could have been shorter by half, and one could probably still get the vast majority of the value of the book by focusing on the first half or so, and skimming or perhaps even skipping the second half.Nevertheless, if you are interested in government, policy, social policy, or even business, I would highly recommend investing the time to read and understand this book.

In a world where governments continually seek to invade personal privacy, control the elements, clump humanity into categories and relentlessly attempt to socially engineer their populations, Scott seeks to make sense of the situation by explaining the why and how behind governmental actions, making "the case for the indispensable role of practical knowledge, informal processes, and improvisation in the face of unpredictability." Perhaps Scott sums it up best when he says, "Much of this book can be read as a case against the imperialism of high modernist, planned social order." Every part of this book is clear and concise. This is a rare gem among modern academia.

This book is essentially a series of discussions of how the perceptual gaps of state apparatus lead to specific sorts of problems, especially when the state attempts to perform large scale, society-changing work. While the book is written by a man who could be reasonably described as a minarchist, it's exceptionally useful to big-state left wing socialists, such as myself, who value understanding why this sort of thing has failed, and failed so badly, in the past.In addition to the educational value, it is an absolute page turner, filled with exciting historical moments that will be brand new to most American readers. I heartily recommend it to anyone.

This book argues that states create simple models in order to understand and regulate society. In many cases forcing society to conform to the model becomes an end in itself. The oversimplification implicit in these models causes various reform schemes to fail. Most of the book consists of presenting examples and variations on this theme.I saw in another review a criticism that the examples were not convincing, which I disagree with. The examples seem proper and on topic to me. They include modernist theories of urban design, the Russian revolution, and agricultural "reforms" in the Soviet Union and Tanzania. Another reviewer thought Scott is making the same argument as Hayek, but that's not really true though they're certainly more similar than the author is willing to admit.My major criticism of this book is that it's about 60-70% too long. There's a lot of repetition and musing that could have been cut.

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Free Ebook Recovered Memory: New York and Paris 1960-1980, by Frank Van Riper Martin Walker

Free Ebook Recovered Memory: New York and Paris 1960-1980, by Frank Van Riper Martin Walker

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Recovered Memory: New York and Paris 1960-1980, by Frank Van Riper Martin Walker

Free Ebook Recovered Memory: New York and Paris 1960-1980, by Frank Van Riper Martin Walker

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Review

“...a lively, entertaining compare-and-contrast exercise, wrought using the writer’s own decades-distant, but still vivid, recollections.”, - Musee Magazine, November 5, 2018 Also featured by: Photo District News L'Oeil de la Photographie

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About the Author

Frank Van Riper is an internationally acclaimed documentary and fine art photographer, journalist and author. His photographs are in the permanent collections of the National Portrait Gallery, Washington, DC, the Portland Museum of Art, Portland, Maine, the photography archive of the University of Maryland Baltimore County, and the Tides Institute collection, Eastport Maine, among others. A portfolio of photographs from his award-winning book "Down East Maine/ A World Apart" is promised to the Smithsonian American Art Museum.

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Product details

Hardcover: 116 pages

Publisher: Daylight Books (November 20, 2018)

Language: English

ISBN-10: 1942084544

ISBN-13: 978-1942084549

Product Dimensions:

8.4 x 0.8 x 10.2 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,240,520 in Books (See Top 100 in Books)

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Download Ebook The Body of God: An Ecological Theology, by Sallie McFague

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The Body of God: An Ecological Theology, by Sallie McFague

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From the Back Cover

A very distinctive and important new option for Christian theology. McFague proposes in a clear and challenging way a theological program based on what she calls 'the organic model' for conceiving God.

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Product details

Paperback: 292 pages

Publisher: Fortress Press (May 1, 1993)

Language: English

ISBN-10: 0800627350

ISBN-13: 978-0800627355

Product Dimensions:

5.5 x 0.7 x 8.5 inches

Shipping Weight: 13.6 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#49,713 in Books (See Top 100 in Books)

This is a wonderful, wonderful, WONDERFUL book. Ms. McFague has done a more than admirable job of applying Whiteheadian process philosophy thinking to expand our consciousness of the critical need for the greatest ecological concern for every being on our good earth.. Though not a “tree hugger”, after reading this book I have become an evening “tree patter” saying goodnight and good wishes to a tree which is most likely the oldest tree on the grounds of my “Home”. Of particular significance is the author’s use of eliciting a belief in God as a procreationist-emanationist. I interpret this as God’s love for all of creation, from the Universe to the smallest flea. It will literally take your breath away, which, of course IS God’s gift to us.

fantastic writing.

I am not religious or spiritual, but this book gave me a good perspective on why some spiritual people are not enviromentalists... and why htey should be. I quote it all the time.

This ecological theology makes the best sense of all the eco-theologies I've read. Her inclusive organic model can be used by men, women, lesbian, bisexual and gay people. This opened a new way of thinking for me that can make a difference not only in my life but hopefully also in the lives of the South Africans I will come into contact. But most important it changed my understanding of my place in the universe and in our beautiful country. Do yourself a favour, buy this book and study it. But be warned, your patriarchal mindset will be shattered. I really enjoyed this book and I am looking forward to study her other books that's on their way. Thank you Sallie.

Excellent book

Sallie McFague (born 1933) is an American feminist Christian theologian, who has written other books such as Super, Natural Christians,Models of God,Metaphorical Theology: Models of God in Religious Language, etc.She wrote in the Introduction to this 1993 book, "The present essay... attempts to look at everything through one lens, the model of the universe or world as God's body... (a model) that is neglected, essential, illuminating, and helpful both to Christian doctrinal reformulation and to planetary well-being." Later, she adds, "Body, then, is the model I suggest we investigate thoroughly as possible for an ecological theology." (Pg. 17)She concedes, however, that we can accept reductionism as a successful method of research as well as the physical base of all levels of nonliving and living entities "and, at the same time, opt for the holistic, organic view as the picture of reality or metaphysics with which theology should be in conversation." (Pg. 93) She suggests that the model of the body of God "can serve as a unifying metaphor, encompassing in scope both creation and salvation---the liberation, healing, and fulfillment of all bodies." (Pg. 135)She argues that "we should not use natural evil as a smokescreen to hide the real ecological problem: human selfishness and greed... biological and cultural evolution---or natural evil and sin---are now inextricably joined with us. The distinction between them is blurred, for natural evils seldom occur in our time withour human complicity. And it is the latter for which we are responsible and that lie within our power to change." (Pg. 177)Starting from the "Cosmic Christ" image, she states, "Our model is unlimited at one end and restrictive at the other: the entire cosmos is the habitat of God, but we can know this only through the mediation of the physical world." (Pg. 182-183)This book will be of interest to persons looking for creative modern approaches to theology.

good transaction. came fast and as described.

This was a useful book if Ecofeminism is your subject. It was one of the recommended books for the Radical Readings module of Exeter University's Theology degree. It does give another voice to add to the inevitable Rosemary Radford Reuther's. Unfortunately, I managed to accidentally purchase two copies so if anyone wants one - let me know.Ann Butcher

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Free Ebook Odù Ifá: "DIVINE VERSES": Sacred Book of the Yoruba Nation

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Odù Ifá: "DIVINE VERSES": Sacred Book of the Yoruba Nation

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Product details

Paperback: 182 pages

Publisher: CreateSpace Independent Publishing Platform (October 11, 2018)

Language: English

ISBN-10: 1727843703

ISBN-13: 978-1727843705

Product Dimensions:

6.1 x 0.4 x 9.2 inches

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#1,018,270 in Books (See Top 100 in Books)

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Ebook Robert Crumb Sketchbook, Vol. 3: 1975-1982

Ebook Robert Crumb Sketchbook, Vol. 3: 1975-1982

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Robert Crumb Sketchbook, Vol. 3: 1975-1982

Ebook Robert Crumb Sketchbook, Vol. 3: 1975-1982

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About the Author

Robert Crumb first found fame with Zap comics in 1968. Subsequent comics include Snatch, Big Ass, Despair, Weirdo and Hup. He starred in the Oscar nominated 1994 film Crumb, and has produced many books, including TASCHEN’s Sex Obsessions.

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Product details

Hardcover: 444 pages

Publisher: TASCHEN (February 26, 2018)

Language: English

ISBN-10: 3836566958

ISBN-13: 978-3836566957

Product Dimensions:

8.5 x 1.5 x 11 inches

Shipping Weight: 3.2 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#341,007 in Books (See Top 100 in Books)

Crumb continues to refine and perfect his line technique and crosshatching style. This book covers the period during which he approached the peak of his technical proficiency. This volume does include the expected Mr. Natural, Snoid, sociopolitical, random observations, and absurd character subject matter. But a significant percentage of the book displays his obsession with the prototypical Crumb female. Quite a few pages are devoted to portraits and figure studies of his wife Aline and other Crumb-type women with exaggerated body proportions. It's obvious Crumb uses distortion deliberately to express his particular fetishes.The format size, paper stock, and printing quality more than do justice to these sketches. I wish the affordable edition of Crumb's _Sex Obsessions_ book had been formatted in this size rather than the somewhat smaller lower-budget one it was published in.

He is

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Ebook Download

Ebook Download

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Product details

File Size: 745 KB

Print Length: 418 pages

Publisher: Penguin Books; Reprint edition (October 1, 1994)

Publication Date: October 1, 1994

Sold by: Penguin Group (USA) LLC

Language: English

ASIN: B001KPZ2MA

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Movies often don't do justice to the original material and I believe this is true for The Buccaneers. After seeing the movie I was a bit wary about reading the book, but I'm glad I took the chance and hope this review encourages others to do the same.The story concerns five American heiresses – Conchita Closson; Virginia and Annabel "Nan" St. George; and Lizzie and Mabel Elmsworth – who are unable to gain entrée into the upper echelons of American society because their families' wealth comes from "new money." So the girls are introduced into English society with the assistance of Conchita, who has married the younger son of a marquess, and their governess, Miss Testvalley, whose previous posts included some of the noble families now on the girls' radar.The Buccaneers was only about 2/3 complete when Edith Wharton died in 1937, and though her notes were not extensive they did include a synopsis of the main story lines. Marion Mainwaring completed Wharton's book in the 1990s, around the same time that the movie was being made. Both achieved the end result that Wharton intended but Mainwaring's version is superior in every way, building as she did on the foundation Wharton had laid without subordinating or supplanting it.***SPOILERS***Though the basic framework of the movie and the book are the same, the movie introduced several significant deviations that not only detracted from the story Wharton was trying to tell but turned it into soap opera fodder, i.e., Wharton never said or suggested that the Duke was sexually attracted to men, or that he consummated the marriage by raping Nan; the reason Conchita needed money was to pay off her and her husband's debts, not to terminate an unwanted pregnancy, and her husband did not have a venereal disease; and Guy never actually occupied a political perch from which to give revolutionary speeches. Nan left the Duke in both renditions but the movie's handling of this event was painfully anachronistic whereas Mainwaring's depiction fits more credibly with the place, the time and the characters that Wharton described.In both book and movie Nan is the heroine of the piece, an endearing character whose romantic nature has been nurtured by her governess, mentor and friend, Miss Testvalley. The book effectively conveys why this was such a recipe for disaster: meeting the Duke among the "magical" ruins of his Cornish castle, Tintagel, Nan imbued him with qualities he simply did not possess. He was not a bad man, just so rigidly traditional and unimaginative that he didn't know how to function outside of strict order and ritual. Even his restoration of Tintagel lacked any hint of romanticism or whimsy - he considered it a "costly folly" that he was obligated to finish only because it had been started by his father.The Duke fell in love with Nan (as much as he was capable) because of her "childish innocence, her indifference to money and honours", but he never gave a single thought to how stifling the rigid rules, the pomp and ceremony of life as he and his family lived it, were to the very qualities in Nan that first attracted him. She was simply expected to adapt. And she might well have done so in a less stagnant, emotionally stifling setting, such as the vastly different environment she later found at Lady Glenloe's home. But the Duke and his mother, the Dowager Duchess, had been firmly inculcated in the supremacy of tradition ("It has always been like that"), and they were as intolerant of the smallest suggestion of change as they were of Nan's "asking the reason of things that have nothing to do with reasons." So, for example, Nan was surprised by the radiant Correggio paintings ("those happy pagans") hanging on the walls of her boudoir, a room previously occupied by the Dowager Duchess, until she realized the Dowager would have considered displacing the paintings to be the more subversive act.Mainwaring picks up Wharton's thread at the point where Nan is on an extended visit to the Glenloe family. Miss Testvalley is now employed there, and Guy and his father are near neighbors and regular visitors. Guy had recently agreed to become the Duke's candidate for the House of Commons but he knows this is impossible once he realizes he's in love with Nan and how unhappily married she is. Too honorable to act on or even reveal his feelings, neither can he bear the thought of spending time with her and the Duke as he would have to do as the Duke's political protege. So he decides to hire on with his old engineering firm and leave England again, and he only seeks out Nan to convince her to go with him after hearing that she has left the Duke.The resolution of Nan and Guy's love story is only part of the appeal of Mainwaring's brilliant ending. She pulls together the threads placed by Wharton herself, drawing on the characterizations and events laid out in those earlier chapters to craft a delightfully satisfying conclusion. Reinforcing the titular theme as she ties up the loose ends, she puts on display the awe-inspiring talents of the truest buccaneers of them all, the Elmsworth sisters, as they surreptitiously aid the cause of Nan and Guy in pursuit of their own ambitious but believably achievable aims.

The first two-thirds of the novel are interesting and historically relevant — not Wharton at her finest but as with almost anything written by Edith Wharton always a few on-point revelations about status conscious humankind sprinkled among the descriptions of clothes and social events. But then Wharton’s manuscript ends and Mainwaring steps in to complete the novel. It feels insipid, predictable and not quite right — whoever claimed they couldn’t tell the difference between Mainwaring and Wharton are either lying or far from insightful readers. I was cruelly disappointed by the final third of the novel — but I am glad to have had Wharton with me during the first two thirds.

This Wharton novel is about 4 American Heiresses who aren't accepted by New York society because they come from "new money". So their Mothers take them to England and with the help of a marriage broker they all marry into the English Aristocracy. Most of these cash for class marriages weren't based on love but were based on how much money the wife's father was able to provide to the cash strapped English in-laws so they can fix up their grand country houses. Also required by the new ladies of the manor was to produce an heir to keep the ancestors happy. This book chronicles the up's and down's of three unhappy unions and the one that was based on love. It's believed that Wharton based the character of Nan, who became a Duchess, on Consuelo Vanderbilt. Even though the book is unfinished I still love it because I can imagine my own ending. Any fan of Downton would like this novel.

Julian Fellows, creator and writer of Downton Abbey, used "The Buccaneers" as part of his research into the 19th-century phenomenon of American girls from wealthy, new-money families who bought a title by marrying British aristocrats and infusing cash into their families' estates. Fellows reports that there were approximately 350 of these rich, young American women, which gave him the template for Cora Crawley, the Countess Grantham, and wife of Lord Grantham of Downton Abbey.Wharton's book is a fascinating tale of four of these American girls whose newly wealthy families were shunned by New York's families of old-money wealth. Rejected by the snobs whose ancestors, not fathers, made their money, Virginia, Nan, Liz and Mabel do "a season" among London's old families. Two of them snag titled aristocrats, one a wealthy MP and the fourth returns to America to marry a wealthy countryman. Wharton's book is an engaging tale of the "Buccaneer" phenomenon and a fascinating study of the character of Nan, on whose head a tiara sits uncomfortably.

The Buccaneers is Edith Wharton's delightful take on the lives of young American women - young women whose parent's money was 'too new' for the class of society they aspired to ... so they took their money to Europe. They married into Europe's aristocracy - a group that had the social cache they longed for and needed their 'new money'. Unlike the outstanding, but often dreary 'Age of Innocence' this book is lighter fare. While not laugh out loud funny, it will make you smile at the oh so serious antics of those who want nothing more than to be high society. I particularly found the mothers of these young women to be amusing - their entire job to ensure their daughters were considered well-bred and properly married. This is the real life story of Downton Abbey - and just as entertaining.

Though this novel was incomplete at the time of her death, Wharton's work has been finished and very well. I did not look to see which parts Wharton had done, so I was pleasantly surprised by the overall quality and consistency in the narration. The story is excellent and is yet another example of Wharton's keen eye for the the layered motives behind social behaviors.

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Get Free Ebook Rand McNally Omaha Eastfinder Map (EasyFinder)

Get Free Ebook Rand McNally Omaha Eastfinder Map (EasyFinder)

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Rand McNally Omaha Eastfinder Map (EasyFinder)

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Product details

Series: EasyFinder

Map

Publisher: Rand McNally; Revised edition (March 1, 1998)

Language: English

ISBN-10: 0528945262

ISBN-13: 978-0528945267

Product Dimensions:

4.5 x 0.2 x 9.2 inches

Shipping Weight: 4.8 ounces

Average Customer Review:

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Amazon Best Sellers Rank:

#21,454,968 in Books (See Top 100 in Books)

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