Free Ebook Origins of Architectural Pleasure
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Origins of Architectural Pleasure
Free Ebook Origins of Architectural Pleasure
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From Library Journal
More like expanded essays than exhaustive studies, these brief pieces are take radically different approaches to the perception and experience of buildings. Hildebrand (architecture/art history, Univ. of Washington), author of The Wright Space: Pattern and Meaning in Frank Lloyd Wright's Houses (Univ. of Washington, 1991), applies his considerable descriptive skills to examples from the history of architecture before and after the domestic work of Wright. Examining the spatial rhythms of his selections with evident pleasure and helpful clarity, Hildebrand applies the intriguing classifications of refuge and prospectAromantic enclosure vs. classical opennessAto describe interior space. More illustrations would help concretize the original and important observations here. To the degree that Hildebrand's volume explores the materiality of his examples, Leach (architecture, Univ. of Nottingham) focuses on the abstract and philosophical implications of his choices. The editor of Rethinking Architecture: A Reader in Cultural Theory (Routledge, 1997), Leach discusses the sometimes difficult theories of Walter Benjamin, Jean Baudrillard, and Guy Debord, among others, to make the point that the architectural preference for imagemaking, along with the sensory overload of our society, devalues, or anaesthetizes, our experience of their work. Leach expresses sharp indignation toward theories of post-Modernism; the writings of Robert Venturi, Scott Brown, and Steven Izenour; and the tendency in the style to dissociate form from content, though the offense he takes at a recruiting advertisement by the London firm of T.P. Bennett Associates seems insufficiently explained and remains puzzling. General academic collections will benefit from the addition of Hildebrand's study, while only highly specialized collections will require Leach's as well.APaul Glassman, New York Sch. of Interior Design Lib. Copyright 1999 Reed Business Information, Inc.
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Review
"Hildebrand has committed the equivalent of heresy as far as the mandarins of architectural academia are concerned. . . But Hildebrand's book is too good to be ignored or seriously criticized. He not only pursues his premise without insisting on it as the sole means of understanding architecture, but he also provides some of the best analytical descriptions of buildings available."--"Times Literary Supplement
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Product details
Hardcover: 174 pages
Publisher: University of California Press; 1st edition (June 30, 1999)
Language: English
ISBN-10: 0520215052
ISBN-13: 978-0520215054
Product Dimensions:
7 x 0.6 x 10 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#1,027,895 in Books (See Top 100 in Books)
I first heard about this book in my thesis year of architecture school when I attended a public lecture given by Grant Hildebrant at my University. I had been searching for a style of my own that made sense, would be timeless, and would be appreciated by people with wide ranging tastes. In this day and age we as designers and architects have so many options. The walls of convention have been completely obliterated by a rebellion against tradition and all the opportunities available with the continual growth of technology. This is a great freedom, however, it can also make it very difficult to find a true universally appealing style. What is so amazing about Grant Hildebrant's theories is that they can be applied to any structure of any style and can help us to understand why so many buildings, although stylistically very different, seem to appeal to everyone equally. As its name suggests, The Origins of Architectural Pleasure distills great architecture down to simple, fundamental principles that appeal to our deepest instincts. This then provides the framework on which any style can be applied to achieve consistently beautiful buildings of timeless, lasting, universal appeal. In fact, Grant is very humble about his theories and takes very little credit for them aside from organizing and putting in print what he believes we all already know deep down. That being said, the book is not the least bit preachy and is really a discussion of a few very simple principles that will change the way you look at the built environment. Whether you are a seasoned architect or are completely new to the world of architecture, the concepts are simple but make a big impression. Of all the books I've read on architecture, and there have been a lot, this is the one book that impacted the way I design the most. I would recommend it to anyone looking to enrich their view of architecture... In fact, I have recommended it to many of my colleagues, and friends. I even went out and bought extra copies so I wouldn't have to risk losing my own! I would absolutely love to move out west and study under Mr. Hildebrant, he really opened my eyes to see what was right in front of me.
I wish the other reviewer had actually had something to say about the quality of the book itself, which is a wonderful revelation about the deep reactions we all have (whether we recognize them or not) to architecture. Highly recommended.
The book was in awesome condition. If used books always come in this condition, I don't think I'll ever buy a new book again.Thanks.
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